Katie Steedly’s first-person piece [The Unspeakable Gift] is a riveting retelling of her participation in a National Institutes of Health study that aided her quest to come to grips with her life of living with a rare genetic disorder. Her writing is superb.
In recognition of receiving the Dateline Award for the Washingtonian Magazine essay, The Unspeakable Gift.
Enter your email here to receive Weekly Wide-Awake
I Wish It Were Enough to Be —

If only what’s happening to me/ were like that cattail out the window,// soft as childhood sadness,/ catching the light.// Or, how earlier––the small gray rocks along the shore,/ as I approached, became birds.
Fay Dillof
Adult sadness has harder edges and is framed in tones of finitude and certainty. It seems to know all the answers and reached the conclusion. It dances alone and does not fly. It feels more like cement than feathers.
Childhood sadness is softer than adult sadness. Before cuts and bruises and scar tissue. Before history and words and consequences. Before hours and days and years.
It seems to me we must make peace with childhood sadness before adult sadness makes sense. (If adult sadness ever really does make sense.) I wish it were enough to simply declare our love for our childhood selves to fill the void or dress our wounds or ease the pain. I wish it were enough to simply breathe into adult sadness, again and again, until it softens and allows us into our very core. It wish it were enough to see all sadness like days and seasons and tides that rise and fall and ebb and flow. Somewhere in there — in sadness itself — is the connection we all so desperately seek.
About Katie

From Louisville. Live in Atlanta. Curious by nature. Researcher by education. Writer by practice. Grateful heart by desire.
Buy the Book!
The Stage Is On Fire, a memoir about hope and change, reasons for voyaging, and dreams burning down can be purchased on Amazon.